Bestiary! Page 4

  " 'The army now runs everything here, as no doubt you are aware. It is rumored they are planning a winter campaign against Regensburg. Can you believe it! Their fathers were ignorant, but this generation is brutally stupid. Otherwise, the work goes well and things are as usual with me. My shoulder aches, children stare at me on the street, and it is whispered I am mad ...' "

  3.

  Acne-scarred, lean, arrogant, Major Hauk was a very young major with a limp. When Meric had entered, the major had been practicing his signature—it was a thing of elegant loops and flourishes, obviously intended to have a place in posterity. As he strode back and forth during their conversation, he paused frequently to admire himself in the window glass, settling the hang of his red jacket or running his fingers along the crease of his white trousers. It was the new style of uniform, the first Meric had seen at close range, and he noted with amusement the dragons embossed on the epaulets. He wondered if Griaule was capable of such an irony, if his influence was sufficiently discreet to have planted the idea for this comic opera apparel in the brain of some general's wife.

  "... not a question of manpower," the major was saying, "but of ... " He broke off, and after a moment cleared his throat.

  Meric, who had been studying the blotches on the backs of his hands, glanced up; the cane that had been resting against his knee slipped and clattered to the floor.

  "A question of materiel," said the major firmly. "The price of antimony, for example ..."

  "Hardly use it anymore," said Meric. "I'm almost done with the mineral reds."

  A look of impatience crossed the major's face. "Very well," he said; he stooped to his desk and shuffled through some papers. "Ah! Here's a bill for a shipment of cuttlefish from which you derive ..." He shuffled more papers.

  "Syrian brown," said Meric gruffly. "I'm done with that, too. Golds and violets are all I need anymore. A little blue and rose." He wished the man would stop badgering him; he wanted to be at the eye before sunset.

  As the major continued his accounting, Meric's gaze wandered out the window. The shantytown surrounding Griaule had swelled into a city and now sprawled across the hills. Most of the buildings were permanent, wood and stone, and the cant of the roofs, the smoke from the factories around the perimeter, put him in mind of Regensburg. All the natural beauty of the land had been drained into the painting. Blackish gray rain clouds were muscling up from the east, but the afternoon sun shone clear and shed a heavy gold radiance on Griaule's side. It looked as if the sunlight were an extension of the gleaming resins, as if the thickness of the paint were becoming infinite. He let the major's voice recede to a buzz and followed the scatter and dazzle of the images; and then, with a start, he realized the major was sounding him out about stopping the work.

  The idea panicked him at first. He tried to interrupt, to raise objections but the major talked through him, and as Meric thought it over, he grew less and less opposed. The painting would never be finished, and he was tired. Perhaps it was time to have done with it, to accept a university post somewhere and enjoy life for a while.

  "We've been thinking about a temporary stoppage," said Major Hauk. "Then if the winter campaign goes well ... " He smiled. "If we're not visited by plague and pestilence, we'll assume things are in hand. Of course we'd like your opinion."

  Meric felt a surge of anger toward this smug little monster. "In my opinion, you people are idiots," he said. "You wear Griaule's image on your shoulders, weave him on your flags, and yet you don't have the least comprehension of what that means. You think it's just a useful symbol...."

  "Excuse me," said the major stiffly.

  "The hell I will!" Meric groped for his cane and heaved up to his feet. "You see yourselves as conquerors. Shapers of destiny. But all your rapes and slaughters are Griaule's expressions. His will. You're every bit as much his parasites as the skizzers."

  The major sat, picked up a pen, and began to write.

  "It astounds me," Meric went on, "that you can live next to a miracle, a source of mystery, and treat him as if he were an oddly shaped rock."

  The major kept writing.

  "What are you doing?" asked Meric.

  "My recommendation," said the major without looking up.

  "Which is?"

  "That we initiate stoppage at once."

  They exchanged hostile stares, and Meric turned to leave; but as he took hold of the doorknob, the major spoke again.

  "We owe you so much," he said; he wore an expression of mingled pity and respect that further irritated Meric.

  "How many men have you killed, Major?" he asked, opening the door.

  "I'm not sure. I was in the artillery. We were never able to be sure."

  "Well, I'm sure of my tally," said Meric. "It's taken me forty years to amass it. Fifteen hundred and ninety-three men and women. Poisoned, scaled, broken by falls, savaged by animals. Murdered. Why don't we—you and I—just call it even."

  Though it was a sultry afternoon, he felt cold as he walked toward the tower—an internal cold that left him light-headed and weak. He tried to think what he would do. The idea of a university post seemed less appealing away from the major's office; he would soon grow weary of worshipful students and in-depth dissections of his work by jealous academics. A man hailed him as he turned into the market. Meric waved but did not stop, and heard another man say, "That's Cattanay?" (That ragged old ruin?)

  The colors of the market were too bright, the smells of charcoal cookery too cloying, the crowds too thick, and he made for the side streets, hobbling past one-room stucco houses and tiny stores where they sold cooking oil by the ounce and cut cigars in half if you could not afford a whole one. Garbage, tornados of dust and flies, drunks with bloody mouths. Somebody had tied wires around a pariah dog—a bitch with slack teats; the wires had sliced into her flesh, and she lay panting in an alley mouth, gaunt ribs flecked with pink lather, gazing into nowhere. She, thought Meric, and not Griaule, should be the symbol of their flag.

  As he rode the hoist up the side of the tower, he fell into his old habit of jotting down notes for the next day. What's that cord of wood doing on level five? Slow leak of chrome yellow from pipes on level twelve. Only when he saw a man dismantling some scaffolding did he recall Major Hauk's

  recommendation and understand that the order must already have been given. The loss of his work struck home to him then, and he leaned against the railing, his chest constricted and his eyes brimming. He straightened, ashamed of himself. The sun hung in a haze of iron-colored light low above the western hills, looking red and bloated and vile as a vulture's ruff. That polluted sky was his creation as much as was the painting, and it would be good to leave it behind. Once away from the valley, from all the influences of the place, he would be able to consider the future.

  A young girl was sitting on the twentieth level just beneath the eye. Years before, the ritual of viewing the eye had grown to cultish proportions; there had been group chanting and praying and discussions of the experience. But these were more practical times, and no doubt the young men and women who had congregated here were now manning administrative desks somewhere in the burgeoning empire. They were the ones about whom Dardano should write; they, and all the eccentric characters who had played roles in this slow pageant. The gypsy woman who had danced every night by the eye, hoping to charm Griaule into killing her faithless lover—she had gone away satisfied. The man who had tried to extract one of the fangs—nobody knew what had become of him. The scale hunters, the artisans. A history of Hangtown would be a volume in itself.

  The walk had left Meric weak and breathless; he sat down clumsily beside the girl, who smiled. He could not remember her name, but she came often to the eye. Small and dark, with an inner reserve that reminded him of Lise. He laughed inwardly—most women reminded him of Lise in some way.

  "Are you all right?" she asked, her brow wrinkled with concern.

  "Oh, yes," he said; he felt a need for conversation to take his mind off t
hings, but he could think of nothing more to say. She was so young! All freshness and gleam and nerves.

  "This will be my last time," she said. "At least for a while. I'll miss it." And then, before he could ask why, she added, "I'm getting married tomorrow, and we're moving away."

  He offered congratulations and asked her who was the lucky fellow.

  "Just a boy." She tossed her hair, as if to dismiss the boy's importance; she gazed up at the shuttered membrane. "What's it like for you when the eye opens?" she asked.

  "Like everyone else," he said. "I remember .. . memories of my life. Other lives, too." He did not tell her about Griaule's memory of flight; he had never told anyone except Lise about that.

  "All those bits of souls trapped in there," she said, gesturing at the eye. "What do they mean to him? Why does he show them to us?"

  "I imagine he has his purposes, but I can't explain them."

  "Once I remembered being with you," said the girl, peeking at him shyly through a dark curl. "We were under the wing."

  He glanced at her sharply. "Tell me."

  "We were ... together," she said, blushing. "Intimate, you know. I was very afraid of the place, of the sounds and shadows. But I loved you so much, it didn't matter. We made love all night, and I was surprised because I thought that kind of passion was just in stories, something people had invented to make up for how ordinary it really was. And in the morning even that dreadful place had become beautiful, with the wing tips glowing red and the waterfall echoing ..." She lowered her eyes. "Ever since I had that memory, I've been a little in love with you."

  "Lise," he said, feeling helpless before her.

  "Was that her name?"

  He nodded and put a hand to his brow, trying to pinch back the emotions that flooded him.

  "I'm sorry." Her lips grazed his cheek, and just that slight touch seemed to weaken him further. "I wanted to tell you how she felt in case she hadn't told you herself. She was very troubled by something, and I wasn't sure she had."

  She shifted away from him, made uncomfortable by the intensity of his reaction, and they sat without speaking. Meric became lost in watching how the sun glazed the scales to reddish gold, how the light was channeled along the ridges in molten streams that paled as the day wound down. He was startled when the girl jumped to her feet and backed toward the hoist.

  "He's dead," she said wonderingly.

  Meric looked at her, uncomprehending.

  "See?" She pointed at the sun, which showed a crimson sliver above the hill. "He's dead," she repeated, and the expression on her face flowed between fear and exultation.

  The idea of Griaule's death was too large for Meric's mind to encompass, and he turned to the eye to find a counterproof—no glints of color flickered beneath the membrane. He heard the hoist creak as the girl headed down, but he continued to wait. Perhaps only the dragon's vision had failed. No. It was likely not a coincidence that work had been officially terminated today. Stunned, he sat staring at the lifeless membrane until the sun sank below the hills; then he stood and went over to the hoist. Before he could throw the switch, the cables thrummed—somebody heading up. Of course. The girl would have spread the news, and all the Major Hauks and their underlings would be hurrying to test Griaule's reflexes. He did not want to be here when they arrived, to watch them pose with their trophy like successful fishermen.

  It was hard work climbing up to the frontoparietal plate. The ladder swayed, the wind buffeted him, and by the time he clambered onto the plate, he was giddy, his chest full of twinges. He hobbled forward and leaned against the rust-caked side of a boiling vat. Shadowy in the twilight, the great furnaces and vats towered around him, and it seemed this system of fiery devices reeking of cooked flesh and minerals was the actual machinery of Griaule's thought materialized above his skull. Energyless, abandoned. They had been replaced by more efficient equipment down below, and it had been—what was it?—almost five years since they were last used. Cobwebs veiled a pyramid of firewood; the stairs leading to the rims of the vats were crumbling. The plate itself was scarred and coated with sludge.

  "Cattanay!"

  Someone shouted from below, and the top of the ladder trembled. God, they were coming after him! Bubbling over with congratulations and plans for testimonial dinners, memorial plaques, specially struck medals. They would have him draped in bunting and bronzed and covered with pigeon shit before they were done. All these years he had been among them, both their slave and their master, yet he had never felt at home. Leaning heavily on his cane, he made his way past the frontal spike—blackened by years of oily smoke—and down between the wings to Hangtown. It was a ghost town, now. Weeds overgrowing the collapsed shanties; the lake a stinking pit, drained after some children had drowned in the summer of '91. Where Jarcke's home had stood was a huge pile of animal bones, taking a pale shine from the half-light. Wind keened through the tattered shrubs.

  "Merit!" "Cattanay."

  The voices drew closer.

  Well, there was one place where they would not follow.

  The leaves of the thickets were speckled with mold and brittle, flaking away as he brushed them. He hesitated at the top of the scale hunters' stair. He had no rope. Though he had done the climb unaided many times, it had been quite a few years. The gusts of wind, the shouts, the sweep of the valley and the lights scattered across it like diamonds on gray velvet—it all seemed a single inconstant medium. He heard the brush crunch behind him, more voices. To hell with it! Gritting his teeth against a twinge of pain in his shoulder, hooking his cane over his belt, he inched onto the stair and locked his fingers in the handholds. The wind whipped his clothes and threatened to pry him loose and send him pinwheeling off. Once he slipped; once he froze, unable to move backward or forward. But at last he reached the bottom and edged upslope until he found a spot flat enough to stand.

  The mystery of the place suddenly bore in upon him, and he was afraid. He half-turned to the stair, thinking he would go back to Hangtown and accept the hurly-burly. But a moment later he realized how foolish a thought that was. Waves of weakness poured through him, his heart hammered, and white dazzles flared in his vision. His chest felt heavy as iron. Rattled, he went a few steps forward, the cane pocking the silence. It was too dark to see more than outlines, but up ahead was the fold of wing where he and Lise had sheltered. He walked toward it, intent on revisiting it; then he remembered the girl beneath the eye and understood that he had already said that good-bye. And it was good-bye—that he understood vividly. He kept walking. Blackness looked to be welling from the wing joint, from the entrances to the maze of luminous tunnels where they had stumbled onto the petrified man. Had it really been the old wizard, doomed by magical justice to molder and live on and on? It made sense. At least it accorded with what happened to wizards who slew their dragons.

  "Griaule?" he whispered to the darkness, and cocked his head, half-expecting an answer. The sound of his voice pointed up the immensity of the great gallery under the wing, the emptiness, and he recalled how vital a habitat it had once been. Flakes shifting over the surface, skizzers, peculiar insects fuming in the thickets, the glum populace of Hangtown, waterfalls. He had never been able to picture Griaule fully alive—that kind of vitality was beyond the powers of the imagination. Yet he wondered if by some miracle the dragon were alive now, flying up through his golden night to the sun's core. Or had that merely been a dream, a bit of tissue glittering deep in the cold tons of his brain? He laughed. Ask the stars for their first names, and you'd be more likely to receive a reply.

  He decided not to walk any farther—it was really no decision. Pain was spreading through his shoulder so intense he imagined it must be glowing inside. Carefully, carefully, he lowered himself and lay propped on an elbow, hanging onto the cane. Good, magical wood. Cut from a hawthorn atop Griaule's haunch. A man had once offered him a small fortune for it. Who would claim it now? Probably old Henry Sichi would snatch it for his museum, stick it in a glass case next
to his boots. What a joke! He decided to lie flat on his stomach, resting his chin on an arm—the stony coolness beneath acted to muffle the pain. Amusing, how the range of one's decision dwindled. You decided to paint a dragon, to send hundreds of men searching for malachite and cochineal beetles, to love a woman, to heighten an undertone here and there, and finally to position your body a certain way. He seemed to have reached the end of the process. What next? He tried to regulate his breathing, to ease the pressure on his chest.

  Then, as something rustled out near the wing joint, he turned on his side. He thought he detected movement, a gleaming blackness flowing toward him ... or else it was only the haphazard firing of his nerves playing tricks with his vision. More surprised than afraid, wanting to see, he peered into the darkness and felt his heart beating erratically against the dragon's scale.

  .. It's foolish to draw simple conclusions from complex events, but I suppose there must be both moral and truth to this life, these events. I'll leave that to the gadflies. The historians, the social scientists, the expert apologists for reality. All I know is that he had a fight with his girlfriend over money and walked out. He sent her a letter saying he had gone south and would be back in a few months with more money than she could ever spend. I had no idea what he'd done. The whole thing about Griaule had just been a bunch of us sitting around the Red Bear, drinking up my pay—I'd sold an article—and somebody said, 'Wouldn't it be great if Dardano didn't have to write articles, if we didn't have to paint pictures that color-coordinated with people's furniture or slave at getting the gooey smiles of little nieces and nephews just right?" All sorts of improbable moneymaking schemes were put forward. Robberies, kidnappings. Then the idea of swindling the city fathers of Teocinte came up, and the entire plan was fleshed out in minutes. Scribbled on napkins, scrawled on sketchpads. A group effort. I keep trying to remember if anyone got a glassy look in their eye, if I felt a cold tendril of Griaule's thought stirring my brains. But I can't. It was a half hour's sensation, nothing more. A drunken whimsy, an art-school metaphor. Shortly thereafter, we ran out of money and staggered into the streets. It was snowing—big wet flakes that melted down our collars. God, we were drunk! Laughing, balancing on the icy railing of the University Bridge. Making faces at the bundled-up burghers and their fat ladies who huffed and puffed past, spouting steam and never giving us a glance, and none of us—not even the burghers—knowing that we were living our happy ending in advance...."